IJSIM : International Journal on Stereo & Immersive Media

URI permanente desta comunidade:

http://hdl.handle.net/10437/10861

Navegar

Percorrer IJSIM : International Journal on Stereo & Immersive Media por assunto "ART INSTALLATIONS"

A mostrar 1 - 2 de 2
  • Item
    The disruptive relations between sound and image in Poème Électronique
    (Edições Universitárias Lusófonas, 2018) Centola, Nicolau; Escola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
    This academic paper focuses on the installation art Poème Électronique, which involved the collaboration of a painter and architect (Le Corbusier) and a composer (Edgard Varèse) during the 1958 Brussels World Fair. The idea is to analyse the visual and sound dimensions, created from a combined set of rules, but independently developed by each participant. Based on a detailed and well-structured script written by Le Corbusier, Varèse developed a sound work without respecting the original guidelines. This important disruptive characteristic is structured in the relation between sound and image, and consequently in the interaction with the audience.
  • Item
    Shifting temporal planes: affective temporality in immersive audio-photographic installation art
    (Edições Universitárias Lusófonas, 2017) Santamas, Hali; Escola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
    This paper explores the temporal implications of audio-photographic art which is defined as a creative practice that utilizes sound and photographic images in an effort to create immersive, affective installations. When presented in an immersive context, I contend that the temporal dissonance between still image and sound opens up a space between the materials. This conceptual space between the materials becomes a site of interaction between art and participant, sound and image, stasis and movement. Drawing on my own creative practice and the theoretical work of Roland Barthes, Jonathan Kramer and Eleni Ikoniadou I set out the differences in temporality between sound and photography. Using this as the basis of this work, I then go on to show how the space between is created through the clashing of multiple shifting temporal planes in the perception of the participant and how this complex temporality can create an immersive, transcendent temporal effect.