Cabinda e espaço cultural : estudo da cultura tradicional dos cabindas, Centro Interpretativo das Bakamas no Tchizo
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2019
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A província de Cabinda tem particularidades relativamente a cultura, neste sentido me refiro a cultura tradicional das Bakamas, na qual foi devidamente estudado a sua origem valor cultural para os Cabinda etc., O do estudo da cultura e tradição das Bakamas resultou num projeto de Arquitetura que visa em contribuir na valorização desta cultura local. Projeto este que pode ser dividido por duas instâncias: A Primeira como apoio de sustentação na conceção do pro-jeto promovendo uma relação semiológica entre a máscara e o edifício, uma relação entre elementos caracterizantes das Bakamas e o edifício, como a ligação mitológica em as Baka-mas euma seria, com o qual se estabeleceu uma relação fenomenologia na precessão da utili-zação do edifico e a relação da mesma com os rios. Ainda na primeira instância consiste na escolha de materiais de construção usado na proposta centro, que de acordo com as investiga-ções foi pertinente estudar os materiais usados na construção tradicional como forma da man-ter um contato mais saudável entre a comunidade e o centro, comunidade esta que natural-mente fazem o usso destes materiais tradicional na construção em Cabinda. E como forma de manter esta relação continua com os materiais foi proposto espaços que transmitem uma tex-tura que não foge da realidade que estão acostumados, deste modo, o centro tona-se espaço para todos.
Uma segunda instância seria o desenvolvimento de espaços museológicos, expositivos, para arquivar e ilustrar objetos e factos relacionado as Bakamas, e o valor na sua integração social dos Cabinda, assim como espaço ligado atividade culturais como a cremorizas de ritos de dança tradicionais das Bakamas.
The province of Cabinda has particularities regarding culture, in this sense I refer to the tradi-tional culture of the Bakamas, in which their cultural value was properly studied for the Ca-binda etc., The study of the culture and tradition of the Bakamas resulted in an Architecture project which aims to contribute to the appreciation of this local culture. The first one as a support for the design of the project, promoting a semiological relation between the mask and the building, a relation between elements that characterize the Bakamas and the building, as the mythological link in the Bakamas and a serious one, with which a relation was established phenomenology in the precession of the use of the building and the relation of the same with the rivers. Still in the first instance is the choice of building materials used in the proposed center, which according to the investigations was pertinent to study the materials used in tra-ditional construction as a way to maintain a healthier contact between the community and the center, community that naturally make use of these traditional materials in construction in Cabinda. And as a way of maintaining this continuous relationship with the materials was proposed spaces that convey a texture that does not escape the reality that are accustomed, thus the center becomes space for all. A second instance would be the development of muse-um spaces, expository, to archive and illustrate objects and facts related to the Bakamas, and the value in their social integration of the Cabinda, as well as space linked cultural activity such as cremorizas of traditional dance rites of the Bakamas.
The province of Cabinda has particularities regarding culture, in this sense I refer to the tradi-tional culture of the Bakamas, in which their cultural value was properly studied for the Ca-binda etc., The study of the culture and tradition of the Bakamas resulted in an Architecture project which aims to contribute to the appreciation of this local culture. The first one as a support for the design of the project, promoting a semiological relation between the mask and the building, a relation between elements that characterize the Bakamas and the building, as the mythological link in the Bakamas and a serious one, with which a relation was established phenomenology in the precession of the use of the building and the relation of the same with the rivers. Still in the first instance is the choice of building materials used in the proposed center, which according to the investigations was pertinent to study the materials used in tra-ditional construction as a way to maintain a healthier contact between the community and the center, community that naturally make use of these traditional materials in construction in Cabinda. And as a way of maintaining this continuous relationship with the materials was proposed spaces that convey a texture that does not escape the reality that are accustomed, thus the center becomes space for all. A second instance would be the development of muse-um spaces, expository, to archive and illustrate objects and facts related to the Bakamas, and the value in their social integration of the Cabinda, as well as space linked cultural activity such as cremorizas of traditional dance rites of the Bakamas.
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Orientação: João Borges da Cunha
Palavras-chave
MESTRADO EM ARQUITETURA, ARQUITETURA, CULTURA, IDENTIDADE CULTURAL, TRADIÇÕES, CABINDA, ARCHITECTURE, CULTURE, CULTURAL IDENTITY, TRADITIONS, CABINDA