Parmeggiani, Paolo2017-02-142017-02-1420162183-9271http://hdl.handle.net/10437/7735International Journal of Film and Media ArtsOne of the most interesting features of the travel stereoview series is not their three-dimensional effect but rather the intertwined outcome of realism and “being-thereness” in the experience of early twentieth century armchair travellers. On the set of Italy through the Stereoscope, the viewer’s “path of the gaze” was a novelty compared to two dimensional photographs and stereoviews. The Underwood & Underwood publishing company created a stereoscopic multimodal tour to improve the impression of realism with a proprioceptive perception of the scene. The procedure of textual débrayage, the description of the experience as it is happening here and now, the direction of the viewer’s gaze with a narrative itinerary, the changing of the visual convergence with the variation in the points of attention: all of these elements fostered a synaesthesia for the spectator. The result was immersion in an explorable space between the “point of view” (2D images) and the “point of being” (virtual reality).application/pdfporopenAccessAUDIOVISUALCOMUNICAÇÃOESTEREOSCOPIAAUDIOVISUALCOMMUNICATIONSTEREOSCOPYarticle