Davis, Melody2022Davis, M 2022, 'Minstrelsy, blackface, and racialized performance in narrative stereoviews, 1860-1902', IJSIM : International Journal on Stereo & Immersive Media, vol. 6, no. 1, pp. 70-89. https://doi.org/10.24140/ijsim.v6.n1.042184-1241http://hdl.handle.net/10437/13537This essay looks at the influence of blackface minstrelsy on stereoviews of British and American publication from 1860-1902, within a transatlantic perspective. Using Black and blackface models, as well as hand-coloring, or “photographic blackface”, stereoview publishers employed ready cultural codes from minstrelsy for racialized performance in order to posit an antithesis to whiteness for comic effect. Taking a “yes, it’s racist and” approach, this paper demonstrates that narrative stereoviews were informed by minstrelsy’s codes of white racial superiority and Black inferiority, and these codes could be destabilized through over-signage and contradictory or crossed signifiers. Binaries of race, gender and sexuality in the stereoviews can become un- stable, while the stereoview’s two photographs contribute to this effect by offering an already doubleness that, when applied to race, suggests a relation more close than different.application/pdfengopenAccessFOTOGRAFIAESTEREOSCOPIAETNIA NEGRARACISMOPHOTOGRAPHYSTEREOSCOPYBLACK ETHNIC GROUPRACISMarticlehttps://doi.org/10.24140/ijsim.v6.n1.04