Santamas, Hali2018-04-122018-04-1220172184-1241http://hdl.handle.net/10437/8710International Journal on Stereo & Immersive MediaThis paper explores the temporal implications of audio-photographic art which is defined as a creative practice that utilizes sound and photographic images in an effort to create immersive, affective installations. When presented in an immersive context, I contend that the temporal dissonance between still image and sound opens up a space between the materials. This conceptual space between the materials becomes a site of interaction between art and participant, sound and image, stasis and movement. Drawing on my own creative practice and the theoretical work of Roland Barthes, Jonathan Kramer and Eleni Ikoniadou I set out the differences in temporality between sound and photography. Using this as the basis of this work, I then go on to show how the space between is created through the clashing of multiple shifting temporal planes in the perception of the participant and how this complex temporality can create an immersive, transcendent temporal effect.application/pdfengopenAccessAUDIOVISUALSOM SOUNDMEMÓRIAMEMORYINSTALAÇÕES ARTÍSTICASART INSTALLATIONSARTE FOTOGRÁFICAPHOTOGRAPHIC ARTAUDIOVISUALarticle