Live Interfaces Journal
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Item Computational art, dematerialisation and embodiment(Universidade Lusófona, 2023-12) Carvalhais, MiguelComputational art often explores dematerialisation and immateriality through works that are more grounded on information and causal processes than on formal features or physical materials. Digital computation is substrate independent and so too tend to be those artworks that centre their aesthetic experience on computation. These artworks share several traits with conceptual art, one of them being the challenging of traditional notions of objecthood. Dematerialisation is therefore a recurring strategy in computational art; however, this paper will argue that the hermeneutical processes triggered by computational artworks conversely lead to an ultimate embodiment of artworks, not in physical artefacts, computers, or computational systems, but rather on the readers’ own minds and in processes that are developed from and by the artworks themselves.Item Synthetic images : data-based aesthetics(Universidade Lusófona, 2023-12) Lee, RosemaryThis essay examines how data-based practices contribute to new perspectives on the empirical value of images. Recent methods employing machine learning enable visualisations to be produced based on the large-scale analysis of data but that are detached from direct sensorial observation, subverting the forms of visual objectivity traditionally associated with technical and scientific methods of image-making. This research aims to develop insights into the forms of visual knowledge that these methods may give rise to, as well as facilitating critical discourse on the grounding of visual practices in relation to technical and scientific methods.