Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition

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dc.contributor.authorFontanella, Lee
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2022
dc.descriptionIJSIM : International Journal on Stereo & Immersive Media
dc.description.abstractCharles Thurston Thompson’s work in Santiago de Compostela has occupied stage-front among all of his photographs. Probably for this reason, it is much less known that the Portuguese royal collections and a few Portuguese locations were the primary purpose for his travelling to Iberia. Santiago was an unforeseen interruption. John Charles Robinson, as principal voice behind acquisitions in the South Kensington Museum, was the background Eminence in these enterprises. Here, I piece together the sojourn in Portugal and interrelate – technically, methodologically, and stylistically – the Iberian photographic work with the broader corpus by Thurston Thompson.pt
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationFontanella , L 2022 , ' Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition ' , IJSIM : International Journal on Stereo & Immersive Media .
dc.identifier.issn2184-1241
dc.language.isoeng
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofIJSIM : International Journal on Stereo & Immersive Media
dc.rightsopenAccess
dc.subjectFOTOGRAFIA
dc.subjectFOTÓGRAFOS
dc.subjectPORTUGAL
dc.subjectPHOTOGRAPHY
dc.subjectPHOTOGRAPHERS
dc.titleCharles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibitionen
dc.typearticle

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 6, Nº. 1 (2022)