Acousmatic foley : son-en-scène

dc.contributor.authorPinheiro, Sara
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2022
dc.descriptionInternational Journal of Film and Media Arts
dc.description.abstract“Acousmatic Foley” is practice-based research on sound dramaturgy stemming from musique concrète and Foley Art. This article sets out a theory based on the concept of “son-en-scène”, which forms the sonic content of the mise-en-scène, as perceived (esthesic sound). The theory departs from the well-known features of a soundscape (R. M. Schafer, 1999) and the listening modes in film as asserted by Chion (1994), in order to arrive at three main concepts: sound-prop, sound-actor and sound-motif. Throughout their conceptualization, the study theorizes a sonic dramaturgy that focuses on the sounds themselves and their practical influence on film’s story-telling strategies. For that, it conveys an assessment of sound in film-history based on the “montage of attractions” and foley art, together with the principles of acousmatic listening. In line with Kulezic-Wilson’s proposal on an “integrated soundtrack”, this research concludes that film-sound should be to sound designers what a “sonorous object” is to musique concrète, albeit conveying all of sound’s fictional aspects.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationPinheiro , S 2022 , ' Acousmatic foley : son-en-scène ' , International Journal of Film and Media Arts .
dc.identifier.issn2183-9271
dc.language.isoeng
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectMÚSICA
dc.subjectCINEMA
dc.subjectDRAMATURGIA
dc.subjectMUSIC
dc.subjectDRAMATURGY
dc.titleAcousmatic foley : son-en-scèneen
dc.typearticle

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