Acousmatic foley : son-en-scène
dc.contributor.author | Pinheiro, Sara | |
dc.contributor.institution | Escola de Comunicação, Arquitetura, Artes e Tecnologias da Informação | |
dc.date.issued | 2022 | |
dc.description | International Journal of Film and Media Arts | |
dc.description.abstract | “Acousmatic Foley” is practice-based research on sound dramaturgy stemming from musique concrète and Foley Art. This article sets out a theory based on the concept of “son-en-scène”, which forms the sonic content of the mise-en-scène, as perceived (esthesic sound). The theory departs from the well-known features of a soundscape (R. M. Schafer, 1999) and the listening modes in film as asserted by Chion (1994), in order to arrive at three main concepts: sound-prop, sound-actor and sound-motif. Throughout their conceptualization, the study theorizes a sonic dramaturgy that focuses on the sounds themselves and their practical influence on film’s story-telling strategies. For that, it conveys an assessment of sound in film-history based on the “montage of attractions” and foley art, together with the principles of acousmatic listening. In line with Kulezic-Wilson’s proposal on an “integrated soundtrack”, this research concludes that film-sound should be to sound designers what a “sonorous object” is to musique concrète, albeit conveying all of sound’s fictional aspects. | en |
dc.description.status | Non peer reviewed | |
dc.format | application/pdf | |
dc.identifier.citation | Pinheiro , S 2022 , ' Acousmatic foley : son-en-scène ' , International Journal of Film and Media Arts . | |
dc.identifier.issn | 2183-9271 | |
dc.language.iso | eng | |
dc.publisher | Lusofona University | |
dc.relation.ispartof | International Journal of Film and Media Arts | |
dc.rights | openAccess | |
dc.subject | AUDIOVISUAL | |
dc.subject | MÚSICA | |
dc.subject | CINEMA | |
dc.subject | DRAMATURGIA | |
dc.subject | MUSIC | |
dc.subject | DRAMATURGY | |
dc.title | Acousmatic foley : son-en-scène | en |
dc.type | article |
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