3D negative space beyond stereoscopy
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Data
2017
Autores
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Editora
Universidade Lusófona de Humanidades e Tecnologias
Resumo
This paper investigates the relationship between photography, stereoviews and visual icons in Venice, and
proposes an experimental video that integrates stereoscopic representations with ambient sounds. The
article opens with a historical analysis of the stereoviews made in Venice, highlighting the repertoire of
subjects, technology and stylistic choices adopted by the most relevant photographers of the late nineteenth
century. The second section proposes an experimental project that attempts to replace the Venetian iconic
touristic photographs and stereoviews. The aim is to investigate how to help the viewer focus on depth and
negative spaces in a virtual space by walking him/her through different parts of the urban layout. The author
discusses which of the main features are adopted to create an immersive experience through a digital
combination of stereoscopic photography and binaural ambient sounds. The result indicates that it is possible
to capture the essence of the 3D experience of a typical touristic sightseeing tour by applying specific digital
transformations to a stereoscopic kinematic flow.
Descrição
International Journal on Stereo & Immersive Media
Palavras-chave
AUDIOVISUAL, ESTEREOSCOPIA, STEREOSCOPY, FOTOGRAFIA, PHOTOGRAPHY, EFEITOS VISUAIS EM 3D , 3D VISUAL EFFECTS, VENEZA, VENICE, AUDIOVISUAL