Against animated documentary?

dc.contributor.authorRoe, Annabelle Honess
dc.date.accessioned2016-04-28T18:39:30Z
dc.date.available2016-04-28T18:39:30Z
dc.date.issued2016
dc.descriptionInternational Journal of Film and Media Artsen
dc.description.abstractAnimated documentaries have been written about in a mostly positive way that explores the way the form enhances and expands the documentary agenda. This is true of scholarly and academic writing as well as that in the popular press and film reviews. However, some authors have taken issue with the ascription of the term ‘documentary’ to animated documentaries. In addition, there are potential issues regarding audience response to animated documentary and the technical proficiency of the films themselves as they become more ubiquitous. This chapter explores the existing, and potential objections to and criticisms of animated documentary and suggests that a more ‘360-degree’ discussion of the form will enrich the scholarly discourse on animated documentary.en
dc.formatapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10437/6964
dc.language.isoengpt
dc.publisherEdições Universitárias Lusófonaspt
dc.rightsopenAccess
dc.subjectAUDIOVISUALpt
dc.subjectCINEMApt
dc.subjectANIMAÇÃOpt
dc.subjectDOCUMENTÁRIOSpt
dc.subjectAUDIOVISUALen
dc.subjectCINEMAen
dc.subjectANIMATIONen
dc.subjectDOCUMENTARIESen
dc.subjectANIMAÇÃO DOCUMENTALpt
dc.subjectANIMATED DOCUMENTARYen
dc.titleAgainst animated documentary?en
dc.typearticlept

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