Two logics of remediation in Lo-Fi : the inversion of immediacy in the cases of soundscape and indie rock

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dc.contributor.authorAragão, Thaís Amorim
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2017
dc.descriptionInternational Journal on Stereo & Immersive Media
dc.description.abstractAmid other uses, the term "lo-fi" (a corruption of "low fidelity") appears both in soundscape studies and in indie rock. Even though it is associated to negative qualities in the former and positive ones in the latter, these apparently antagonistic postures reclaim conditions of sonic production and contemplation that might have been lost in the past—if not in a pre-industrial era, at least in a moment prior to the culture industry. Nevertheless, both emerge from the same idea of "fidelity" that hatched from the stereophony phenomenon. Such a case seems to defy the pertinence of Bolter and Grusin's double logic of remediation, so as to deal with sonic processes. That happens due to conceptions of lo-fi which demonstrate that by making media perceptible does not always result in the absence of presence, nor does it block a sense of immersion.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationAragão , T A 2017 , ' Two logics of remediation in Lo-Fi : the inversion of immediacy in the cases of soundscape and indie rock ' , International Journal on Stereo & Immersive Media .
dc.identifier.issn2184-1241
dc.language.isoeng
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofInternational Journal on Stereo & Immersive Media
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectSOM
dc.subjectESTUDOS DO SOM
dc.subjectESTEREOFONIA
dc.subjectTEORIA DOS MEDIA
dc.subjectSOUND
dc.subjectSOUND STUDIES
dc.subjectSTEREOPHONY
dc.subjectAUDIOVISUAL
dc.subjectTHEORY OF THE MEDIA
dc.titleTwo logics of remediation in Lo-Fi : the inversion of immediacy in the cases of soundscape and indie rocken
dc.typearticle

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 1, Nº. 2 (2017)