3-D: Realist Illusion or Perception Confusion? : The Technological Image as a Space for Play

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dc.contributor.authorGunning, Tom
dc.date.accessioned2022-01-13T20:01:34Z
dc.date.available2022-01-13T20:01:34Z
dc.date.issued2021
dc.description.abstractThis paper seeks to explore the ambiguities of the devices of stereoscopic imagery both moving and still. Since the invention of the stereoscope there has been the claim that stereoscopic images gave a more complete representation of their objects by adding an appearance of three-dimensionality. However, it has also been acknowledged that stereoscopy creates merely an optical illusion of three-dimensionality, one which presents its own perceptual ambiguities. Moving from the issues raised by Jonathan Crary in his discussion of stereoscopy in The Techniques of the Observer to the history 3-D films, this paper explores how the tension between an illusionist approach of fooling the senses into believing an image and an outright challenge to representation which fosters the contradictions of stereoscopic images has made 3-D a dynamic aesthetic form. I will discuss both commercial films, such as the late Transformers series, as well as avant-garde works by Ken Jacob and The OpenEnded Group (Marc Downie and Paul Kaiser).pt
dc.formatapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10437/12380
dc.language.isoengpt
dc.publisherCICANTpt
dc.rightsopenAccess
dc.subjectESTEREOSCOPIApt
dc.subject3Dpt
dc.subjectREALIDADE VIRTUALpt
dc.subjectJACOBS, KENpt
dc.subjectSTEREOSCOPYen
dc.subjectVIRTUAL REALITYen
dc.title3-D: Realist Illusion or Perception Confusion? : The Technological Image as a Space for Playpt
dc.typearticlept

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 5, Nº. 1 (2021)