Between the point of view and the point of being: the space of the stereoscopic tours

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dc.contributor.authorParmeggiani, Paolo
dc.date.accessioned2017-02-14T14:11:00Z
dc.date.available2017-02-14T14:11:00Z
dc.date.issued2016
dc.descriptionInternational Journal of Film and Media Artsen
dc.description.abstractOne of the most interesting features of the travel stereoview series is not their three-dimensional effect but rather the intertwined outcome of realism and “being-thereness” in the experience of early twentieth century armchair travellers. On the set of Italy through the Stereoscope, the viewer’s “path of the gaze” was a novelty compared to two dimensional photographs and stereoviews. The Underwood & Underwood publishing company created a stereoscopic multimodal tour to improve the impression of realism with a proprioceptive perception of the scene. The procedure of textual débrayage, the description of the experience as it is happening here and now, the direction of the viewer’s gaze with a narrative itinerary, the changing of the visual convergence with the variation in the points of attention: all of these elements fostered a synaesthesia for the spectator. The result was immersion in an explorable space between the “point of view” (2D images) and the “point of being” (virtual reality).en
dc.formatapplication/pdf
dc.identifier.issn2183-9271
dc.identifier.urihttp://hdl.handle.net/10437/7735
dc.language.isoporpt
dc.publisherEdições Universitárias Lusófonaspt
dc.rightsopenAccess
dc.subjectAUDIOVISUALpt
dc.subjectCOMUNICAÇÃOpt
dc.subjectESTEREOSCOPIApt
dc.subjectAUDIOVISUALen
dc.subjectCOMMUNICATIONen
dc.subjectSTEREOSCOPYen
dc.titleBetween the point of view and the point of being: the space of the stereoscopic toursen
dc.typearticlept

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International Journal of Film and Media Arts, Vol. 1, Nº. 2 (2016)