Between the point of view and the point of being: the space of the stereoscopic tours

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dc.contributor.authorParmeggiani, Paolo
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2016
dc.descriptionInternational Journal of Film and Media Arts
dc.description.abstractOne of the most interesting features of the travel stereoview series is not their three-dimensional effect but rather the intertwined outcome of realism and “being-thereness” in the experience of early twentieth century armchair travellers. On the set of Italy through the Stereoscope, the viewer’s “path of the gaze” was a novelty compared to two dimensional photographs and stereoviews. The Underwood & Underwood publishing company created a stereoscopic multimodal tour to improve the impression of realism with a proprioceptive perception of the scene. The procedure of textual débrayage, the description of the experience as it is happening here and now, the direction of the viewer’s gaze with a narrative itinerary, the changing of the visual convergence with the variation in the points of attention: all of these elements fostered a synaesthesia for the spectator. The result was immersion in an explorable space between the “point of view” (2D images) and the “point of being” (virtual reality).en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationParmeggiani , P 2016 , ' Between the point of view and the point of being: the space of the stereoscopic tours ' , International Journal of Film and Media Arts .
dc.identifier.issn2183-9271
dc.language.isopor
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectCOMUNICAÇÃO
dc.subjectESTEREOSCOPIA
dc.subjectAUDIOVISUAL
dc.subjectCOMMUNICATION
dc.subjectSTEREOSCOPY
dc.titleBetween the point of view and the point of being: the space of the stereoscopic tourspt
dc.typearticle

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International Journal of Film and Media Arts, Vol. 1, Nº. 2 (2016)