Guilherme Santos collection in the Rio de Janeiro museum of image and sound : A three-dimensional city (1908-1957) 

dc.contributor.authorMendonça, Maria Isabela
dc.date.accessioned2018-04-12T15:22:49Z
dc.date.available2018-04-12T15:22:49Z
dc.date.issued2017
dc.descriptionInternational Journal on Stereo & Immersive Mediaen
dc.description.abstractThis paper aims to present Guilherme Santos’ historical stereoscopic collection, which belongs to the Rio de Janeiro Museum of Image and Sound. As an amateur photographer, Santos widely registered the city of Rio de Janeiro between 1909 and 1957 and his stereoscopic collection is considered one of the most important in Brazil. The historical period in which he developed his work is characterised by the restructuring of Rio de Janeiro as a bourgeois metropolis. The modernised daily life and the new signs of development in the country’s former capital were intensely recorded by Santos during his photography trajectory. As an enthusiast of social life, he was constantly cataloguing the most diverse events, different touristic places and the exuberant nature of the “wonderful city”. Playing the role of a cultural representation of his time, Santos’ photographs give important clues of the shaping of a typically bourgeois lifestyle in Rio de Janeiro.en
dc.formatapplication/pdf
dc.identifier.issn2184-1241
dc.identifier.urihttp://hdl.handle.net/10437/8719
dc.language.isoengen
dc.publisherUniversidade Lusófona de Humanidades e Tecnologiaspt
dc.rightsopenAccess
dc.subjectAUDIOVISUALpt
dc.subjectFOTOGRAFIApt
dc.subjectPHOTOGRAPHYen
dc.subjectESTEREOSCOPIApt
dc.subjectSTEREOSCOPYen
dc.subjectRIO DE JANEIROpt
dc.subjectAUDIOVISUALen
dc.subjectRIO DE JANEIROen
dc.titleGuilherme Santos collection in the Rio de Janeiro museum of image and sound : A three-dimensional city (1908-1957) en
dc.typearticlept

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