Media archaeology experiences : method, meaning and amusement

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dc.contributor.authorBantjes, Rod
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2022
dc.descriptionIJSIM : International Journal on Stereo & Immersive Media
dc.description.abstractIn this paper I make four interventions in favour of the seductive value of experiential media archaeology. 1) The constellation of material artefacts that mediate between us and the world are an implicit context for historic writing on perception, representation and epistemology. Engagement with the materiality of these often-forgotten artefacts offers insight into the meanings of texts that exclusively text-based scholarship would otherwise miss. 2) Tacit, artisanal knowledge embedded in artefacts sometimes exceeds that which can be found in written texts. I argue that an effective way of accessing this material logic is to re-build old artefacts to see how they work. Applying the theory of extended cognition to this process, I make a case for its unique epistemo- logical value. 3) I show how the seductive intimacy of these objects can be amplified by re-imagining their aesthetic possibilities. 4) I discuss the educational value of the “rational recreation” with media artifacts as “philosophical toys.”pt
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationBantjes , R 2022 , ' Media archaeology experiences : method, meaning and amusement ' , IJSIM : International Journal on Stereo & Immersive Media .
dc.identifier.issn2184-1241
dc.language.isoeng
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofIJSIM : International Journal on Stereo & Immersive Media
dc.rightsopenAccess
dc.subjectARQUEOLOGIA DOS MEDIA
dc.subjectMEDIA ARCHAEOLOGY
dc.titleMedia archaeology experiences : method, meaning and amusementen
dc.typearticle

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 6, Nº. 1 (2022)