Multi-task cinema, or a “whatever style”

dc.contributor.authorViveiros, Paulo
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2017
dc.descriptionInternational Journal of Film and Media Arts
dc.description.abstractThis text seeks to reflect upon the impact that new imaging technologies — from video introduction to computers dependency — have had on more recent generations of cinema, and its effect on film language. The context of the analysis is North American cinema and the Hollywood industry in particular which, as a large production system, absorbs and transforms technological novelty in order to enlarge the scope of its action (in line with the idea of general audiences and the phenomenon of globalization which loses its cultural specificities). From the cinematographic point of view, the immediate consequences of such impact are felt in film language rooted in classical narrative, with particular focus on action and science fiction films; and, from a cultural standpoint, how they precociously manifest themselves in school movies done by a generation with a visual culture also marked by music videos and YouTube cultures.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationViveiros , P 2017 , ' Multi-task cinema, or a “whatever style” ' , International Journal of Film and Media Arts .
dc.identifier.issn2183-9271
dc.language.isoeng
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectCINEMA
dc.subjectINOVAÇÃO TECNOLÓGICA
dc.subjectIMAGEM CINEMATOGRÁFICA
dc.subjectLINGUAGEM CINEMATOGRÁFICA
dc.subjectAUDIOVISUAL
dc.subjectCINEMA
dc.subjectTECHNOLOGICAL INNOVATION
dc.subjectCINEMATIC IMAGE
dc.subjectFILM LANGUAGE
dc.titleMulti-task cinema, or a “whatever style”en
dc.typearticle

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