Animating poetry: whose line is it anyway? : creation & critique of shared language in poetry animation

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dc.contributor.authorHanna, Susan J.
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2019
dc.descriptionInternational Journal of Film and Media Arts
dc.description.abstractThis paper provides a detailed analysis of an example of personal practice in the creation of collaborative contemporary poetry animation as an example of Ecstatic Truth. It cites a rationale for translation, transcription and remodeling of poems into new animated visual and sonic experiences. This investigation into creation and critique of shared language between poetry and animation includes critical commentary and some historical context, as well as supplying comparative exemplars from poets, animators and collaborators. It suggests that poetry animation is an emergent genre in its own right, and that this has expanding potential for engaging specialist and non-specialist audiences.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationHanna , S J 2019 , ' Animating poetry: whose line is it anyway? : creation & critique of shared language in poetry animation ' , International Journal of Film and Media Arts .
dc.identifier.issn2183-9271
dc.language.isoeng
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectCINEMA DE ANIMAÇÃO
dc.subjectPOESIA
dc.subjectANIMAÇÃO
dc.subjectHISTÓRIA DA ANIMAÇÃO
dc.subjectAUDIOVISUAL
dc.subjectANIMATION CINEMA
dc.subjectPOETRY
dc.subjectANIMATION
dc.subjectHISTORY OF ANIMATION
dc.titleAnimating poetry: whose line is it anyway? : creation & critique of shared language in poetry animationen
dc.typearticle

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International Journal of Film and Media Arts, Vol. 4, Nº. 2 (2019)