British stereo photographers in Spain: Frank M. Good

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dc.contributor.authorFernández Rivero, Juan Antonio
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2016
dc.descriptionInternational Journal of Film and Media Arts
dc.description.abstractUnlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such as Frith or George W. Wilson, also wanting to include Spanish views in their catalogues. The photographer Frank Good would be the only British photographic editor to make a collection of some importance of Spanish stereoscopic views during the first decades of the history of photography, visiting and photographing the cities of San Sebastian, Zaragoza, Barcelona, Tarragona, Valencia, Seville and Cordoba. About one hundred views, of which more than half are of Cordoba and Seville, do not include, strangely, cities such as Madrid, Toledo and Granada.en
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dc.identifier.citationFernández Rivero , J A 2016 , ' British stereo photographers in Spain: Frank M. Good ' , International Journal of Film and Media Arts .
dc.identifier.issn2183-9271
dc.language.isoeng
dc.peerreviewedno
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectFOTOGRAFIA
dc.subjectESTEREOSCOPIA
dc.subjectFOTÓGRAFOS
dc.subjectESPANHA
dc.subjectGOOD, FRANK MASON
dc.subjectFRITH, FRANCIS
dc.subjectWILSON, GEORGE WASHINGTON
dc.subjectATKINSON, WILLIAM
dc.subjectSMYTH, CHARLES PIAZZI
dc.subjectNAPPER, ROBERT PETERS
dc.subjectAUDIOVISUAL
dc.subjectPHOTOGRAPHY
dc.subjectSTEREOSCOPY
dc.subjectPHOTOGRAPHERS
dc.subjectSPAIN
dc.titleBritish stereo photographers in Spain: Frank M. Gooden
dc.typearticle

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International Journal of Film and Media Arts, Vol. 1, Nº. 2 (2016)