Shifting temporal planes: affective temporality in immersive audio-photographic installation art
Miniatura indisponível
Data
2017
Autores
Título da revista
ISSN da revista
Título do Volume
Editora
Universidade Lusófona de Humanidades e Tecnologias
Resumo
This paper explores the temporal implications of audio-photographic art which is defined as a creative
practice that utilizes sound and photographic images in an effort to create immersive, affective installations.
When presented in an immersive context, I contend that the temporal dissonance between still image and
sound opens up a space between the materials. This conceptual space between the materials becomes a
site of interaction between art and participant, sound and image, stasis and movement. Drawing on my own
creative practice and the theoretical work of Roland Barthes, Jonathan Kramer and Eleni Ikoniadou I set out
the differences in temporality between sound and photography. Using this as the basis of this work, I then
go on to show how the space between is created through the clashing of multiple shifting temporal planes in
the perception of the participant and how this complex temporality can create an immersive, transcendent
temporal effect.
Descrição
International Journal on Stereo & Immersive Media
Palavras-chave
AUDIOVISUAL, SOM , SOUND, MEMÓRIA, MEMORY, INSTALAÇÕES ARTÍSTICAS, ART INSTALLATIONS, ARTE FOTOGRÁFICA, PHOTOGRAPHIC ART, AUDIOVISUAL