Perceptual information or informed perception? synesthesia and sound-art 

dc.contributor.authorGhosh, Ronit
dc.date.accessioned2018-04-12T14:46:37Z
dc.date.available2018-04-12T14:46:37Z
dc.date.issued2017
dc.descriptionInternational Journal on Stereo & Immersive Mediaen
dc.description.abstractImmersive sonic environments raise important questions regarding the nature and limits of human cognition. The inundation of the human in multi-directional, immersive sonic flows activates a new register of acoustical cognition which simultaneously engenders a new aesthetic way of encountering and experiencing sound. This paper seeks to investigate the composite positionality of sound often exploited by contemporary sound-artists. It elaborates on at least three distinctive onto-epistemological states that are simultaneously assumed by the sonic medium in certain immersive works of sonic art - sound as a tropological-discursive construct, sound as an event enabling the visualization of time and sound as a physical wave-object existing in space. The paper tries to approach the synesthetic possibilities inaugurated by the aforementioned spatialization of time in sound within conflicting discursive paradigms while also probing further implications of the ontological multiplicity of sound. It seeks to explore the dynamics of sonic synesthesia using a neuro-anatomical approach to synesthetic cognition that posit synesthetic experience as a mirror to neural cross-linkages.en
dc.formatapplication/pdf
dc.identifier.issn2184-1241
dc.identifier.urihttp://hdl.handle.net/10437/8712
dc.language.isoengpt
dc.publisherUniversidade Lusófona de Humanidades e Tecnologiaspt
dc.rightsopenAccess
dc.subjectAUDIOVISUALpt
dc.subjectSINESTESIApt
dc.subjectSYNESTHESIAen
dc.subjectCOGNIÇÃOpt
dc.subjectCOGNITIONen
dc.subjectSOMpt
dc.subjectSOUNDen
dc.subjectAUDIOVISUALen
dc.titlePerceptual information or informed perception? synesthesia and sound-art en
dc.typearticlept

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