Gabriel Lippmann (1845–1921) & Frederick Ives (1856–1937) : The French Physicist Versus The American Inventor in the Pursuit of Colour and 3-Dimensionality

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dc.contributor.authorGamble, Susan
dc.date.accessioned2022-01-13T19:56:15Z
dc.date.available2022-01-13T19:56:15Z
dc.date.issued2021
dc.descriptionInternational Journal on Stereo & Immersive Media
dc.description.abstractI explore the reception to photographic invention at the end of the nineteenth century and how photographic practice was embraced by the Academy with Lippmann’s Nobel Prize-winning process. Whereas Lippmann published a theory in the public domain, a requirement for the Nobel Prize, Ives was dependent on commercial sales. However, Ives was a critic of Lippmann’s process which competed with his own efforts for display and publicity. Here, I review the division of theory with mechanical invention that existed between Lippmann’s and Ives’ 3-Dimensional concepts. And I discuss the assessment by Herbert Ives (1882–1953), the son of Frederick Ives, of both these inventions.pt
dc.formatapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10437/12378
dc.language.isoporpt
dc.publisherCICANTpt
dc.rightsopenAccess
dc.subject3Dpt
dc.subjectFOTOGRAFIApt
dc.subjectCORESpt
dc.subjectPHOTOGRAPHYen
dc.subjectCOLORSen
dc.subjectLIPPMANN, GABRIELpt
dc.subjectIVES, FREDERICKpt
dc.titleGabriel Lippmann (1845–1921) & Frederick Ives (1856–1937) : The French Physicist Versus The American Inventor in the Pursuit of Colour and 3-Dimensionalityen
dc.typearticlept

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 5, Nº. 1 (2021)