Literature and panoramic structure

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dc.contributor.authorFontanella, Lee
dc.date.accessioned2024-01-15T16:17:12Z
dc.date.available2024-01-15T16:17:12Z
dc.date.issued2023
dc.descriptionInternational journal on stereo & immersive mediapt
dc.description.abstractAmerican writer John Greenleaf Whittier composed his ambitious poem "The Panorama" in late 1855, not long before the Civil War of the States (1861-1865). Literarily, it was meant to dissuade the North and new western territories from following the example of the southern Democrats, and to abolish black slavery. For us today, interest rests also in the way this poem was structured. Whittier must have witnessed a "moving-Panorama" spectacle in his native New England and determined that he would apply that same mechanism for revelation, as structural basis for his lengthy, sententious poem. The political message of this work has earned notable attention, but its reliance on a mid-nineteenth-century popular spectacle had been mentioned just in passing. My aim is to demonstrate intricately how that popular spectacle was applied in this poem.en
dc.formatapplication/pdfpt
dc.identifier.issn2184-1241
dc.identifier.urihttp://hdl.handle.net/10437/14442
dc.language.isoengpt
dc.publisherUniversidade Lusófona de Humanidades e Tecnologiaspt
dc.rightsopenAccesspt
dc.subjectLITERATURApt
dc.subjectLITERATUREen
dc.subjectESCRAVATURApt
dc.subjectSLAVERYen
dc.subjectABOLICIONISMOpt
dc.subjectABOLITIONISMen
dc.subjectWHITTIER, JOHN GREENLEAFpt
dc.titleLiterature and panoramic structureen
dc.typearticlept

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 7, Nº. 1 (2023)