The Experience of the Religious through Silent Moving Image and the Silence of Bill Viola's Passions

dc.contributor.author	Gil, Inês
dc.contributor.institution	CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
dc.date.issued	2009-06-01
dc.description	Cartografias do Silêncio
dc.description.abstract	With the creationof the moving image at the end of the 19th century a new way of representing and expressing the Religious was born. The cinema industry rapidly understood that film has a powerful way to attract new audiences and transformed the explicit religious message into an implicit theological discourse of the fictional film. Today, the concept of "cinema" needs to be rethought and expanded, as well as the notion of "tTranscendental" since the strong reality effect of the film can allow a true religious experience for the spectator.	en
dc.format	application/pdf
dc.identifier.citation	Gil, I 2009, The Experience of the Religious through Silent Moving Image and the Silence of Bill Viola's Passions. in Cartografias do Silêncio. FCT. https://doi.org/10.34632/didaskalia.2009.1903
dc.identifier.doi	https://doi.org/10.34632/didaskalia.2009.1903
dc.language.iso	eng
dc.peerreviewed	no
dc.publisher	FCT
dc.relation.ispartof	Cartografias do Silêncio
dc.rights	openAccess
dc.subject	RELIGIÃO
dc.subject	TEOLOGIA
dc.subject	CINEMA MUDO
dc.subject	RELIGION
dc.subject	THEOLOGY
dc.subject	VIOLA, BILL
dc.subject	SILENT FILM
dc.title	The Experience of the Religious through Silent Moving Image and the Silence of Bill Viola's Passions	en
dc.type	bookPart

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