The Experience of the Religious through Silent Moving Image and the Silence of Bill Viola's Passions

dc.contributor.author	Gil, Inês
dc.date.accessioned	2011-02-22T20:04:39Z
dc.date.available	2011-02-22T20:04:39Z
dc.date.issued	01/06/2009
dc.description.abstract	With the creationof the moving image at the end of the 19th century a new way of representing and expressing the Religious was born. The cinema industry rapidly understood that film has a powerful way to attract new audiences and transformed the explicit religious message into an implicit theological discourse of the fictional film. Today, the concept of "cinema" needs to be rethought and expanded, as well as the notion of "tTranscendental" since the strong reality effect of the film can allow a true religious experience for the spectator.	en
dc.format	application/pdf
dc.identifier.citation	Cartografias do Silêncio	pt
dc.identifier.issn	0253-1674
dc.identifier.other	https://doi.org/10.60543/6b3f-zz31
dc.identifier.uri	http://hdl.handle.net/10437/710
dc.language.iso	eng	pt
dc.publisher	FCT	pt
dc.rights	openAccess
dc.subject	RELIGION	en
dc.subject	THEOLOGY	en
dc.subject	VIOLA, BILL	en
dc.subject	SILENT FILM	en
dc.subject	RELIGIÃO	pt
dc.subject	TEOLOGIA	pt
dc.subject	CINEMA MUDO	pt
dc.title	The Experience of the Religious through Silent Moving Image and the Silence of Bill Viola's Passions	en
dc.type	bookPart	en

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