The poetics of poetry film by Sarah Tremlett - book review

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dc.contributor.authorHanna, Suzie
dc.date.accessioned2022-10-11T13:54:00Z
dc.date.available2022-10-11T13:54:00Z
dc.date.issued2022
dc.descriptionInternational journal of film and media artspt
dc.description.abstractThe Poetics of Poetry Film provides a comprehensive overview of a history of the form. By outlining models and methods it creates a taxonomy of defining characteristics for identification of a range of possible genres and terminologies. As an academic and a practitioner Sarah Tremlett, the author of this book, clearly enjoys the holistic experience of bringing deeper understanding to creative practice through theory and vice versa. She explores poetry in conjunction with film; how formal characteristics are extended, translated or re-visioned as a way of sharing both a subjective and political voice not only through form but as philosophical practice. Numerous references to her own oeuvre are threaded through the publication, which veers from formal academic analysis to highly subjective and pragmatic reflection on aspects of production. In Constructing Dynamic Spatio-Temporality she argues that the remediation of the page poem becomes theoretically interwoven with the sequential nature of the filmic narrative and the spatial construct of the artist’s and animator’s canvas, to create new ways of interpreting combined audio-visual aesthetics.pt
dc.formatapplication/pdfpt
dc.identifier.issn2183-9271
dc.identifier.urihttp://hdl.handle.net/10437/13117
dc.language.isoengpt
dc.publisherUniversidade Lusófona de Humanidades e Tecnologiaspt
dc.rightsopenAccesspt
dc.subjectAUDIOVISUALpt
dc.subjectCINEMApt
dc.subjectREVISÃO BIBLIOGRÁFICApt
dc.subjectAUDIOVISUALpt
dc.subjectCINEMApt
dc.subjectBIBLIOGRAPHIC REVIEWpt
dc.titleThe poetics of poetry film by Sarah Tremlett - book reviewpt
dc.typearticlept

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International Journal of Film and Media Arts, Vol. 7, Nº. 1 (2022)