Importance of storytelling and speculative fiction in the transition into a posthuman ecosystem

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dc.contributor.authorSilva, Marco Fraga da
dc.contributor.authorDamásio, Manuel José
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2022
dc.descriptionInternational journal of film and media arts
dc.description.abstractNarratives have been witnessing a state of enfoldment within the virtual world(s) since the proliferation of transmedia story worlds and new media art works. The aesthetics of enfoldment are discussed by Laura U. Marks within different trends in media art. She follows a genealogy of media art that has its roots in premodern Islamic concepts. Enfoldment is therefore situated as the broad framework of this paper’s discussion. Since the prevalence of the concept of transmedia storytelling, coined by Henry Jenkins in 2007, different franchises (be it in entertainment and others) have adopted certain narrative tropes to create a transmedia presence or universe. One of these tropes is the usage of multi-linear storytelling. Multi-linearity is one of the forms narrative storytelling that liberates a story from its temporal structure, making the consumption of narrative open to the end user. Parafiction, on the other hand, denotes instances when the lines between fact and fiction become blurry creating contemporary artworks where story worlds are essential for the dissemination of the works themselves. According to Lambert-beaty (2009) “the slew of recent writings trying to describe or explain this condition ranges from philosophical explorations of ‘the ethics of the lie’, to moralist warnings about our entry into ‘the post-truth era’” (Lambert-beatty, 2009). The following article aims at dissemi nating past scholarship on multi-linear and parafictional storytelling in trans and new media art in an attempt at shaping the the oretical framework of my doctoral thesis project; a podcast series intended for online dissemination that features conversations between a fictional character and non-fictional historical figures.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationSilva , M F D & Damásio , M J 2022 , ' Importance of storytelling and speculative fiction in the transition into a posthuman ecosystem ' , International Journal of Film and Media Arts . https://doi.org/10.24140/ijfma.v7.n2.04
dc.identifier.doihttps://doi.org/10.24140/ijfma.v7.n2.04
dc.identifier.issn2183-9271
dc.language.isoeng
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectARTE VIRTUAL
dc.subjectCINEMA
dc.subjectARTE CONTEMPORÂNEA
dc.subjectPODCASTING
dc.subjectSTORYTELLING
dc.subjectVIRTUAL ART
dc.subjectCONTEMPORARY ART
dc.titleImportance of storytelling and speculative fiction in the transition into a posthuman ecosystemen
dc.typearticle

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International Journal of Film and Media Arts, Vol. 7, Nº. 2 (2022)