The aesthetic illusion of “Dogville”

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dc.contributor.authorYeoman, Ivar Erik
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2023
dc.descriptionInternational journal on stereo & immersive media
dc.description.abstractWerner Wolf (2013) defines the concept of aesthetic illusion as describing a certain pleasurable state of mind that takes place when a user is engaged or immersed in media work(s). He points out that even though the user is in a state of engagement, it is nevertheless aware, in one way or another, of the medium it engages with. Wolf lists and describes certain principles necessary to media work for that state of mind to happen, one of them being the principle of celare artem which proposes that engaging work of media conceals its medium. Here, the principle is challenged by applying it to the film Dogville by Lars von Trier, whose author uses Brechtian distancing-effect methods to experiment with the relationship between audience engagement and distancing. Finally, the conclusions of the research are used to propose a further discussion on the criteria of a closely related concept from new media studies, presence, and how it concerns the immersive possibilities of new media, such as Virtual Reality.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationYeoman , I E 2023 , ' The aesthetic illusion of “Dogville” ' , International Journal on Stereo & Immersive Media .
dc.identifier.issn2184-1241
dc.language.isoeng
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofInternational Journal on Stereo & Immersive Media
dc.rightsopenAccess
dc.subjectCINEMA
dc.subjectREALIDADE VIRTUAL
dc.subjectNOVOS MEDIA
dc.subjectLARS VON TRIER
dc.subjectDOGVILLE
dc.subjectVIRTUAL REALITY
dc.subjectNEW MEDIA
dc.titleThe aesthetic illusion of “Dogville”en
dc.typearticle

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 7, Nº. 1 (2023)