Reflexive perplexities : the virtual camera in ‘she’s not there’
| dc.contributor.author | Moyes, Peter | |
| dc.contributor.author | Harvey, Louise | |
| dc.contributor.institution | CICANT - Centre for Research in Applied Communication, Culture, and New Technologies | |
| dc.date.issued | 2017 | |
| dc.description.abstract | We report on the conception, production and delivery of the live music, live performance, 3D animated project She’s Not There that opened the CILECT congress in Brisbane November 2016. We discuss the operations of the virtual camera in framing the virtual 3D space within the real space of the theatre stage. We muse on this Mixed Reality mode within the context of Goudal’s conception of cinema as fostering in its audience a ‘conscious hallucination’ (1925); the appeal of our project is contingent upon the audience being able to view outside of the frame while enjoying the fantasy within, to knowingly invest in its illusion. | en |
| dc.format | application/pdf | |
| dc.identifier.citation | Moyes, P & Harvey, L 2017, 'Reflexive perplexities : the virtual camera in ‘she’s not there’', International Journal of Film and Media Arts, vol. 2, no. 1, pp. 92-101. | |
| dc.identifier.issn | 2183-9271 | |
| dc.identifier.uri | https://hdl.handle.net/10437/8727 | |
| dc.language.iso | eng | |
| dc.peerreviewed | yes | |
| dc.publisher | Lusofona University | |
| dc.relation.ispartof | International Journal of Film and Media Arts | |
| dc.rights | openAccess | |
| dc.subject | AUDIOVISUAL | |
| dc.subject | CINEMA | |
| dc.subject | ANIMAÇÃO 3D | |
| dc.subject | EFEITOS VISUAIS EM 3D | |
| dc.subject | AUDIOVISUAL | |
| dc.subject | CINEMA | |
| dc.subject | 3D ANIMATION | |
| dc.subject | 3D VISUAL EFFECTS | |
| dc.title | Reflexive perplexities : the virtual camera in ‘she’s not there’ | en |
| dc.type | article |