CICANT - Relevância no cinema contemporâneo : valores e discurso

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http://hdl.handle.net/10437/11372

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Percorrer CICANT - Relevância no cinema contemporâneo : valores e discurso por autor "CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias"

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    A atmosfera fílmica como consciência
    (Edições Universitárias Lusófonas, 2002) Gil, Inês; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
    The concept of "cinematic atmosphere" is complex because its analysis raises the problem of the cinematographic formal construction as inductive medium of the film atmosphere. Moreover, the proper notion of "atmosphere" reveals other concepts more or less controlled by the cinematic elements that will have all the same goal: the recognition of these concepts through the manifestation of the atmosphere.
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    Filme, fotografia e memória invisível
    (Relógio d'Água, 2009-10) Gil, Inês; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
    The photographic image, either still or moving, is considered a fair and representative archive of past events, given its mirror nature of reproducing the world. However, in their purely documental function, photography or film do not represent the "tone" of the story that was recorded in the images. But it may be that it is the atmosphere that is expressed through the images that is able to awake memory and turn the story not only into something visible but also into something sensible.
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    Lugares Sagrados: Corpo e Sensualidade no Cinema
    (Faculdade de Belas -Artes, 2009-10) Gil, Inês; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
    In film, Eros manifests itself in the image temporality to wake the sensation up. But the image needs to remain ambiguous to suggest and not to show. In suggesting, it maintains a distance between the body representation and its sensuality. In showing, the image may turn into another genre: the obscene or the pornographic one. That is why Eros has a sacred place in film because it always maintains a veil upon its presentation: the body exteriority and interiority become mystery. It is the filmic "aura" of Eros.