CIC-DIGITAL - Artigos de Revistas Internacionais com Arbitragem Científica
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Item The fungible audio-visual mapping and its experience(2014) Sá, Adriana; Caramiaux, Baptiste; Tanaka, AtauThis article draws a perceptual approach to audio-visual mapping. Clearly perceivable cause and effect relationships can be problematic if one desires the audience to experience the music. Indeed perception would bias those sonic qualities that fit previous concepts of causation, subordinating other sonic qualities, which may form the relations between the sounds themselves. The question is, how can an audio-visual mapping produce a sense of causation, and simultaneously confound the actual cause-effect relationships. We call this a fungible audio-visual mapping. Our aim here is to glean its constitution and aspect. We will report a study, which draws upon methods from experimental psychology to inform audio-visual instrument design and composition. The participants are shown several audio-visual mapping prototypes, after which we pose quantitative and qualitative questions regarding their sense of causation, and their sense of understanding the cause-effect relationships. The study shows that a fungible mapping requires both synchronized and seemingly non-related components – sufficient complexity to be confusing. As the specific cause-effect concepts remain inconclusive, the sense of causation embraces the whole. KEYWORDS: Audio-visual Mapping; Perception; Causation; Multisensory Integration; User Studies.Item Mapping the film and audiovisual sectors : a research agenda for the future(Journal of Creative Industries and Cultural Studies (JOCIS), 2021) Damásio, Manuel José; Grácio, RitaThe film and audiovisual sectors plays a key role in European society, and by extension also in Portugal. In this paper we propose a conceptual change centered on mapping the film and audiovisual (AV) industries in Portugal as a creative sector, instead of a cultural one. We argue that this enables a more rigorous measurement of the value of these industries in the creative economy, besides allowing for easier connections between the creative industries and other areas. This conceptual change is based on an innovative approach to the “creative trident”. We argue that the value of the film and AV sector has to be rooted in a flourishing creative workforce, and we propose that entrepreneurship education can be a path forward in unlocking the sector tremendous creative potential. We propose an innovative research agenda to deal with linking all these elements in the context of the audiovisual and film creative industries. keywords: mapping studies; creative industries; cultural industries; creative professions; creative trident; entrepreneurial education; creative workforce; creative skills