Film and the disembodied voice

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dc.contributor.authorCrittenden, Roger
dc.contributor.institutionCICANT - Centre for Research in Applied Communication, Culture, and New Technologies
dc.date.accessioned2025-03-31T10:25:01Z
dc.date.available2025-03-31T10:25:01Z
dc.date.issued2023-12-29
dc.description.abstractThe use of voice over often divides both filmmakers and critics - its opponents objecting to the borrowing of a literary device. By examining a multitude of examples this paper seeks to demonstrate that it has often enhanced the effectiveness of film narrative both in the actual storytelling and the emotional impact, by applying a sensitivity in the writing and a careful casting of the voice and performance of the unseen actor or actors. Keywords: Voice-over; narrative; film and literature; author versus auteur; image and sound.en
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dc.identifier.citationCrittenden, R 2023, 'Film and the disembodied voice', International Journal of Film and Media Arts, vol. 8, no. 3, pp. 24-37. https://doi.org/10.24140/ijfma.v8.n3.02
dc.identifier.doihttps://doi.org/10.24140/ijfma.v8.n3.02
dc.identifier.issn2183-9271
dc.identifier.urihttp://hdl.handle.net/10437/15195
dc.language.isoeng
dc.peerreviewedyes
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectCINEMA
dc.subjectAUDIOVISUAL
dc.subjectFILMS
dc.subjectVOICE
dc.subjectFILM PRODUCTION
dc.subjectSOUND
dc.subjectLITERATURE
dc.subjectFILM NARRATIVE
dc.subjectIMAGE
dc.subjectCINEMA
dc.subjectAUDIOVISUAL
dc.subjectVOZ
dc.subjectFILMES
dc.subjectPRODUÇÃO CINEMATOGRÁFICA
dc.subjectSOM
dc.subjectNARRATIVA FÍLMICA
dc.subjectIMAGEM
dc.subjectLITERATURA
dc.titleFilm and the disembodied voiceen
dc.typearticle

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International Journal of Film and Media Arts, Vol. 8, Nº. 3 (2023)