Cinematic polyphony in Lucrecia Martel’s cinema : the musicality of narrative film in ‘the headless woman’
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Data
2018
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Lusofona University
Resumo
This paper provides an overview on the concept of musicality in fiction cinema language, understanding the comparative analysis of both art forms and considering cinema as a potentially musical construction. Furthermore, the examination of polyphonic musical textures and its methodical application in the formal analysis of Lucrecia Martel’s cinema (namely in her 2007 film The Headless Woman) provides a new perspective on the aesthetical values of the Argentinean filmmaker’s work with sound and image, which unveils other forms of assuming fiction film narration.
Descrição
International Journal of Film and Media Arts
Palavras-chave
AUDIOVISUAL, FILMES, ESTÉTICA CINEMATOGRÁFICA, LINGUAGEM CINEMATOGRÁFICA, MARTEL, LUCRECIA, AUDIOVISUAL, FILMS, FILM AESTHETICS, FILM LANGUAGE
Citação
Sarmiento , J 2018 , ' Cinematic polyphony in Lucrecia Martel’s cinema : the musicality of narrative film in ‘the headless woman’ ' , International Journal of Film and Media Arts .