Cinematic polyphony in Lucrecia Martel’s cinema : the musicality of narrative film in ‘the headless woman’
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Data
2018
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Editora
Edições Universitárias Lusófonas
Resumo
This paper provides an overview on the concept
of musicality in fiction cinema language, understanding the comparative analysis of both art
forms and considering cinema as a potentially
musical construction. Furthermore, the examination of polyphonic musical textures and its
methodical application in the formal analysis of
Lucrecia Martel’s cinema (namely in her 2007
film The Headless Woman) provides a new perspective on the aesthetical values of the Argentinean filmmaker’s work with sound and image,
which unveils other forms of assuming fiction
film narration.
Descrição
International Journal of Film and Media Arts
Palavras-chave
AUDIOVISUAL, FILMES, ESTÉTICA CINEMATOGRÁFICA, LINGUAGEM CINEMATOGRÁFICA, AUDIOVISUAL, FILMS, FILM AESTHETICS, FILM LANGUAGE, MARTEL, LUCRECIA