Cinematic polyphony in Lucrecia Martel’s cinema : the musicality of narrative film in ‘the headless woman’

dc.contributor.authorSarmiento, Jerónimo
dc.date.accessioned2019-07-03T12:53:32Z
dc.date.available2019-07-03T12:53:32Z
dc.date.issued2018
dc.descriptionInternational Journal of Film and Media Artsen
dc.description.abstractThis paper provides an overview on the concept of musicality in fiction cinema language, understanding the comparative analysis of both art forms and considering cinema as a potentially musical construction. Furthermore, the examination of polyphonic musical textures and its methodical application in the formal analysis of Lucrecia Martel’s cinema (namely in her 2007 film The Headless Woman) provides a new perspective on the aesthetical values of the Argentinean filmmaker’s work with sound and image, which unveils other forms of assuming fiction film narration.en
dc.formatapplication/pdf
dc.identifier.issn2183-9271
dc.identifier.urihttp://hdl.handle.net/10437/9670
dc.language.isoengpt
dc.publisherEdições Universitárias Lusófonaspt
dc.rightsopenAccess
dc.subjectAUDIOVISUALpt
dc.subjectFILMESpt
dc.subjectESTÉTICA CINEMATOGRÁFICApt
dc.subjectLINGUAGEM CINEMATOGRÁFICApt
dc.subjectAUDIOVISUALen
dc.subjectFILMSen
dc.subjectFILM AESTHETICSen
dc.subjectFILM LANGUAGEen
dc.subjectMARTEL, LUCRECIA
dc.titleCinematic polyphony in Lucrecia Martel’s cinema : the musicality of narrative film in ‘the headless woman’en
dc.typearticlept

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