Cinematic polyphony in Lucrecia Martel’s cinema : the musicality of narrative film in ‘the headless woman’

dc.contributor.authorSarmiento, Jerónimo
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2018
dc.descriptionInternational Journal of Film and Media Arts
dc.description.abstractThis paper provides an overview on the concept of musicality in fiction cinema language, understanding the comparative analysis of both art forms and considering cinema as a potentially musical construction. Furthermore, the examination of polyphonic musical textures and its methodical application in the formal analysis of Lucrecia Martel’s cinema (namely in her 2007 film The Headless Woman) provides a new perspective on the aesthetical values of the Argentinean filmmaker’s work with sound and image, which unveils other forms of assuming fiction film narration.en
dc.formatapplication/pdf
dc.identifier.citationSarmiento , J 2018 , ' Cinematic polyphony in Lucrecia Martel’s cinema : the musicality of narrative film in ‘the headless woman’ ' , International Journal of Film and Media Arts .
dc.identifier.issn2183-9271
dc.language.isoeng
dc.peerreviewedno
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectFILMES
dc.subjectESTÉTICA CINEMATOGRÁFICA
dc.subjectLINGUAGEM CINEMATOGRÁFICA
dc.subjectMARTEL, LUCRECIA
dc.subjectAUDIOVISUAL
dc.subjectFILMS
dc.subjectFILM AESTHETICS
dc.subjectFILM LANGUAGE
dc.titleCinematic polyphony in Lucrecia Martel’s cinema : the musicality of narrative film in ‘the headless woman’en
dc.typearticle

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