A experiência em relação à obra de arte
Miniatura indisponível
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2012
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Esta tese pretende fazer a ligação entre o momento da idealização e da conclusão de
uma obra de arte.
O que se tenta demonstrar é que a experiência é transformadora de tudo o que tem a
ver com a criação e, portanto, tudo o que a criação implica sofre transformações sobre
transformações até ganhar uma vida autónoma à do criador.
No culminar do processo criativo passam a existir duas componentes da obra. A
própria obra, na sua fisicalidade, e a experiência da sua realização. Estes dois fatores da
criação são complementares, mas valem por si e são completamente independentes.
Apresenta-se como anexo da tese excertos da obra sobre a qual ela mais incide, o
filme Quadro Branco, cuja elaboração foi feita sempre a par deste documento.
Por esse facto, na introdução e fundamentação teórica que se apresenta, os aspetos
teóricos são observados em relação ao cinema, mas muito particularmente em relação a este
filme.
O que se conclui é que a experiência é de uma significação tão importante quanto a
obra. E que a todas as questões que poderemos formular, o criador já não pode responder pela
sua criação, apenas por ele mesmo e pela sua experiência passada.
This thesis aims to make the connection between the moment of idealization and completion of a work of art. What we are attempting to demonstrate is that the experience is transformative of all that has to do with the creation, and therefore, all that implies creation suffers transformations on transformations until it gains an independent life of the creator. At the culmination of the creative process there are two components of the work, the work itself in its physicality and the experience of doing. These two factors of creation are complementary, but they are worth by themselves and are completely independent. It is presented as an appendix a work on which the thesis focuses more, the film Quadro Branco, whose preparation was always done in aware of this document. For this reason, the introduction and theoretical framework that presents the theoretical aspects, are observed in relation to Cinema, but particularly in relation to this film. What is concluded is that the experience is of a signification as important as the work. And that to all the questions that we make, the creator can no longer respond for that work, only for himself and his past experience.
This thesis aims to make the connection between the moment of idealization and completion of a work of art. What we are attempting to demonstrate is that the experience is transformative of all that has to do with the creation, and therefore, all that implies creation suffers transformations on transformations until it gains an independent life of the creator. At the culmination of the creative process there are two components of the work, the work itself in its physicality and the experience of doing. These two factors of creation are complementary, but they are worth by themselves and are completely independent. It is presented as an appendix a work on which the thesis focuses more, the film Quadro Branco, whose preparation was always done in aware of this document. For this reason, the introduction and theoretical framework that presents the theoretical aspects, are observed in relation to Cinema, but particularly in relation to this film. What is concluded is that the experience is of a signification as important as the work. And that to all the questions that we make, the creator can no longer respond for that work, only for himself and his past experience.
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Orientação : José Bragança de Miranda
Palavras-chave
COMUNICAÇÃO, CINEMA, CRIAÇÃO ARTÍSTICA, FILMES, COMMUNICATION, CINEMA, ARTISTIC CREATION, FILMS, MESTRADO EM ESTUDOS CINEMATOGRÁFICOS, AUDIOVISUAL, AUDIOVISUAL