The construction of the museological object

dc.contributor.authorMoutinho, Mário Caneva
dc.contributor.institutionFaculdade de Ciências Sociais, Educação e Administração
dc.date.issued1994
dc.descriptionCadernos de Sociomuseologia
dc.description.abstract"Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise."pt
dc.formatapplication/pdf
dc.identifier.citationMoutinho , M C 1994 , ' The construction of the museological object ' , Default journal .
dc.identifier.issn1646-3730
dc.language.isopor
dc.peerreviewedno
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofDefault journal
dc.rightsopenAccess
dc.subjectMUSEOLOGIA
dc.subjectSOCIOMUSEOLOGIA
dc.subjectOBJETOS MUSEOLÓGICOS
dc.subjectMUSEOLOGY
dc.subjectSOCIOMUSEOLOGY
dc.subjectMUSEOLOGICAL OBJECTS
dc.titleThe construction of the museological objectpt
dc.typearticle

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