Architectural design research through cinematic collage
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Data
2014
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Edições Universitárias Lusófonas
Resumo
This essay argues that cinematic representation can, and must, be understood as a method of developing a form of critical architectural enquiry and thinking in the same manner as text - a textual analysis and a communication means for practice-based research. The proposition is that cinematic architectural drawing and the discourse of occupied space are inseparable and that the limits of both are products of specific ideological and cultural practices. In this essay, two different bodies of iterative cinematic collage research practice are considered. Both sets of representations present new rigorously created architectural design knowledge and refer to the contention by Claude Lévis-Strauss (1966/1962:16-17) that the practice of the bricoleur, understood here as architect-bricoleur, is in marked contrast to the measurable output of the scientist, or architectural design scientist.
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Revista Lusófona de Arquitectura e Educação
Palavras-chave
ARQUITETURA, ARCHITECTURE, DESENHO ARQUITETÓNICO, ARCHITECTURAL DRAWING, INVESTIGAÇÃO, RESEARCH