La colorimetría cinematográfica aplicada a los nuevos formatos periodísticos televisivos : el caso del programa español lo de Évole
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Data
2022
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Lusofona University
Resumo
With the irruption of multi-screens that the Netflix era has brought about, a good part of the old visual formulas, especially television and reporter ones, have become outdated. This is especially observable in television formats strongly linked to reporter journalism, such as Spaniards around the world, Street travelers and others. In recent years, a trend of adaptation of cinematographic codes to television products has already been perceived, but the Covid-19 pandemic and the ban on theatrical exhibition in cinemas around the world has precipitated a change in the model of consumption. This article presents an investigation on a nuclear element: the cinematographic colorimetry used in journalistic television programs, specifically, one of the most watched journalistic programs on Spanish television: Lo de Évole.
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AUDIOVISUAL, CINEMATOGRAFIA, COLORIMETRIA, JORNALISMO, TELEVISÃO, CINEMATOGRAPHY, COLORIMETRY, JOURNALISM, TELEVISION
Citação
Barrientos Báez, A, Caldevilla-Domínguez, D & Blanco-Pérez, M 2022, 'La colorimetría cinematográfica aplicada a los nuevos formatos periodísticos televisivos : el caso del programa español lo de Évole', International Journal of Film and Media Arts, vol. 7, no. 2, pp. 164-184. https://doi.org/10.24140/ijfma.v7.n2.09