Transformative museology

dc.contributor.authorWeldon, Rebecca
dc.contributor.institutionFaculdade de Ciências Sociais, Educação e Administração
dc.date.issued2010
dc.descriptionCadernos de Sociomuseologia
dc.description.abstract“…we have to take into account the fact that museology and museums are two completely different things.” Martin R. Shärer[1] In the 20th century, growing populations produced a growing body of heritage. The transmission of this heritage to succeeding generations coalesced into three major modern institutions: universities, library/archives and museums. Traditional systems of social and cultural memory had become overloaded and therefore evolved conceptually. This evolution took place within the primary context of a naturally occurring museology through the process I call museogenesis. The term museogenesis refers to the origin and development of museological thought in a specific cultural context. By museological thought, I refer to ideas and theories surrounding the parameters of “the natural and cultural heritage, the activities concerned with the preservation and communication of this heritage, the institutional frame-work, and society as a whole” (Mensch 1992). This broadly inclusive definition relates museology to another broadly defined concept: cultural context. By cultural context, I refer to the “webs of significance and systems of meaning which is the collective property of a group” (Geertz 1973). [1] ICOFOM Study Series – ISS 34, 2003, ISS 34_03.pdf, p.7en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationWeldon , R 2010 , ' Transformative museology ' , Cadernos de Sociomuseologia .
dc.identifier.issn1646-3714
dc.language.isoeng
dc.publisherLusofona University
dc.relation.ispartofCadernos de Sociomuseologia
dc.rightsopenAccess
dc.subjectMUSEOLOGIA
dc.subjectMUSEUS
dc.subjectMUSEOLOGY
dc.subjectMUSEUMS
dc.titleTransformative museologyen

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