Stereoscopy's impact on the making of digital visual effects in films

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dc.contributor.authorJacopin, Esther
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2020
dc.description.abstractSince Avatar (Cameron, 2009) released, almost every stereoscopic 3D (S3D) film contain digital visual effects (VFX). Assuming that stereoscopy and VFX nowadays go hand in hand, this article aims to study the impact of stereoscopy on the making of digital VFX. It will cross information with crew members' witnesses from the production of French films Amazonia (Ragobert, 2013), Astérix & Obélix (Tirard, 2012), and The Young and Prodigious T.S. Spivet (Jeunet, 2013). This case study-oriented approach will go through the three film production's stages: pre-production, on-set principle photography, and post-production; in order to provide an overview of changes in cinematographic techniques that occur when designing stereoscopic-VFX, as well as how cinema technicians manage to adapt their skills to make stereoscopic and visual effects cohabit in films' images.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationJacopin , E 2020 , ' Stereoscopy's impact on the making of digital visual effects in films ' , Default journal .
dc.identifier.issn2184-1241
dc.language.isoeng
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofDefault journal
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectESTEREOSCOPIA
dc.subjectCINEMA
dc.subjectEFEITOS ESPECIAIS
dc.subjectCINEMA DIGITAL
dc.subjectSTEREOSCOPY
dc.subjectSPECIAL EFFECTS
dc.subjectDIGITAL CINEMA
dc.titleStereoscopy's impact on the making of digital visual effects in filmsen
dc.typearticle

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 4, Nº. 1 (2020)