Non-stereoscopic stereoscopy

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dc.contributor.authorWade, Nicholas
dc.contributor.institutionCICANT - Centre for Research in Applied Communication, Culture, and New Technologies
dc.date.accessioned2025-04-03T15:00:02Z
dc.date.available2025-04-03T15:00:02Z
dc.date.issued2024
dc.description.abstractThe principal application of the stereoscope is to induce apparent depth from two slightly different stimuli – usually photographs. In his classical article describing the stereoscope, Wheatstone referred to this as stereoscopic depth perception. Wheatstone also presented radically different patterns in the stereoscope thereby inducing binocular rivalry. Whereas stereoscopic depth perception reflects cooperation between the two eyes, binocular rivalry is evidence of their competition. Rivalry is an example of non-stereoscopic stereoscopy: the stereoscope is used to display a phenomenon that does not yield the perception of solidity. Anaglyphic examples are shown which indicate the scope of binocular rivalry art.en
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dc.identifier.citationWade, N 2024, 'Non-stereoscopic stereoscopy', IJSIM : International Journal on Stereo & Immersive Media, vol. 8, no. 1, pp. 4-19. https://doi.org/10.60543/ijsim.v8i1.9441
dc.identifier.doihttps://doi.org/10.60543/ijsim.v8i1.9441
dc.identifier.issn2184-1241
dc.identifier.urihttp://hdl.handle.net/10437/15228
dc.language.isoeng
dc.peerreviewedyes
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofIJSIM : International Journal on Stereo & Immersive Media
dc.rightsopenAccess
dc.subjectPHOTOGRAPHY
dc.subjectSTEREOSCOPY
dc.subjectFOTOGRAFIA
dc.subjectESTEREOSCOPIA
dc.titleNon-stereoscopic stereoscopyen
dc.typearticle

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IJSIM : International Journal on Stereo & Immersive Media, Vol. 8, Nº. 1 (2024)