The beauty of the fragment reconstituted in the great wall
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Data
2021
Autores
Título da revista
ISSN da revista
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Editora
Lusofona University
Resumo
Max Hattler’s short abstract animations demonstrate an awareness of the form’s historic 1920’s European Abstract Animation precedents, is informed by the structurally focused minimalism of the 60’s and re-tools pre-cinema toys. Yet his work speaks to the contemporary technological environment he occupies and experiences directly. His move to Hong Kong and his recent Serial Parallels is also a predictive probe into future media environments. Hattler’s digital architectures are designed to make sense of the technological situation of speed and information overload which Vilem Flusser marks as amnesic and Marshall McLuhan identifies as an acoustic space readable through pattern recognition. His practice makes productive use of the flexible and modular qualities of contemporary digital image-making technologies for both production and publication purposes.
Descrição
International Journal of Film and Media Arts, Vol. 6, nº2 (2021)
Palavras-chave
AUDIOVISUAL, TECNOLOGIA, IMAGEM DIGITAL, AUDIOVISUAL, TECHNOLOGY, DIGITAL IMAGE
Citação
Bruyn , D D 2021 , ' The beauty of the fragment reconstituted in the great wall ' , International Journal of Film and Media Arts, Vol. 6, nº2 (2021) .