The beauty of the fragment reconstituted in the great wall

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dc.contributor.authorBruyn, Dirk De
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2021
dc.descriptionInternational Journal of Film and Media Arts, Vol. 6, nº2 (2021)
dc.description.abstractMax Hattler’s short abstract animations demonstrate an awareness of the form’s historic 1920’s European Abstract Animation precedents, is informed by the structurally focused minimalism of the 60’s and re-tools pre-cinema toys. Yet his work speaks to the contemporary technological environment he occupies and experiences directly. His move to Hong Kong and his recent Serial Parallels is also a predictive probe into future media environments. Hattler’s digital architectures are designed to make sense of the technological situation of speed and information overload which Vilem Flusser marks as amnesic and Marshall McLuhan identifies as an acoustic space readable through pattern recognition. His practice makes productive use of the flexible and modular qualities of contemporary digital image-making technologies for both production and publication purposes.pt
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationBruyn , D D 2021 , ' The beauty of the fragment reconstituted in the great wall ' , International Journal of Film and Media Arts, Vol. 6, nº2 (2021) .
dc.identifier.issn2183-9271
dc.language.isoeng
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts, Vol. 6, nº2 (2021)
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectTECNOLOGIA
dc.subjectIMAGEM DIGITAL
dc.subjectAUDIOVISUAL
dc.subjectTECHNOLOGY
dc.subjectDIGITAL IMAGE
dc.titleThe beauty of the fragment reconstituted in the great wallen
dc.typearticle

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International Journal of Film and Media Arts, Vol. 6, Nº. 2 (2021)