Le silence des limites dans la littérature: Deux exemples :Michel de Montaigne et Marguerite Duras

dc.contributor.authorTiménova, Zlatka
dc.contributor.authorTimenova, Maya
dc.date.accessioned2012-03-21T10:01:27Z
dc.date.available2012-03-21T10:01:27Z
dc.date.issued2006
dc.descriptionBabilónia: Revista Lusófona de Línguas, Culturas e Traduçãopt
dc.description.abstractThe paper studies the concept of limit in literary discourse. Two aspects are discussed: 1) the limit as a necessary structuring element in the process of verbal nomination; 2) the limit as a verbal constraint which appeals to be defeated in case of extreme experience, as death, love, desire, Shoah. We analyse two examples dealing with the language restriction in the literary practice: Montaignes’ essays and Duras’ novels. Montaigne adopts a specific style of unlimited judgements and topics accumulation in a spontaneous order and logic with the purpose of revealing the deepest profile of human nature. Duras practices a minimalist writing that ruins the linear syntactic structure and the narrative model, achieving an effect of silence thus providing the possibility of unlimited meaning.en
dc.formatapplication/pdf
dc.identifier.issn1646-3730
dc.identifier.urihttp://hdl.handle.net/10437/1949
dc.language.isofrapt
dc.publisherEdições Universitárias Lusófonaspt
dc.rightsopenAccess
dc.subjectLINGUÍSTICApt
dc.subjectLITERATURA FRANCESApt
dc.subjectTEORIA DA LITERATURApt
dc.subjectLINGUISTICSen
dc.subjectFRENCH LITERATUREen
dc.subjectLITERARY THEORYen
dc.subjectANÁLISE LITERÁRIApt
dc.subjectLITERARY ANALYSISen
dc.titleLe silence des limites dans la littérature: Deux exemples :Michel de Montaigne et Marguerite Durasfr
dc.typearticlept

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