Communicating the dialectic between subjective ‘creativity’ and objective ‘rigor’ in design research; A case study of a multi-vocal mode of architectural criticism

dc.contributor.authorKazerani, Isun Aisan
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2014
dc.descriptionRevista Lusófona de Arquitectura e Educação
dc.description.abstractThe objectivists’ distant view from the subject of study has long been prioritized overcreative subjective perspective in academia. This is while due to a certain level ofpersonal interpretation of any experiment, the pure ‘rigor’ of scientist approachescould be also challenged. However, acknowledging the advantage of multidimensionalexploration, this paper follows the notion of ‘oscillating subjectivity’,with a constant shift between projection of the object and the subject inrepresentation of a phenomenon. This position will be explored through a new modeof architectural criticism with a multi-vocal interpretation, which switches betweenthe inhabitation experience of the design outcome and a distant objective criticism ofthe design product. The critique will be represented textually and visually on a wellacclaimedpublic space, Olympic sculpture Park, through creating links between thedesign process, existing critical reviews as well as sensorial inhabitation of the spaceen
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationKazerani , I A 2014 , ' Communicating the dialectic between subjective ‘creativity’ and objective ‘rigor’ in design research; A case study of a multi-vocal mode of architectural criticism ' , Revista Lusófona de Arquitectura e Educação .
dc.identifier.issn1646-6756
dc.language.isoeng
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofRevista Lusófona de Arquitectura e Educação
dc.rightsopenAccess
dc.subjectARQUITETURA
dc.subjectINVESTIGAÇÃO
dc.subjectCRITICISMO
dc.subjectARCHITECTURE
dc.subjectRESEARCH
dc.subjectCRITICISM
dc.titleCommunicating the dialectic between subjective ‘creativity’ and objective ‘rigor’ in design research; A case study of a multi-vocal mode of architectural criticismen
dc.typearticle

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