The disruptive relations between sound and image in Poème Électronique
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Data
2018
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Editora
Universidade Lusófona de Humanidades e Tecnologias
Resumo
This academic paper focuses on the installation art Poème Électronique, which involved the collaboration of a painter and
architect (Le Corbusier) and a composer (Edgard Varèse) during the 1958 Brussels World Fair. The idea is to analyse the
visual and sound dimensions, created from a combined set of rules, but independently developed by each participant. Based
on a detailed and well-structured script written by Le Corbusier, Varèse developed a sound work without respecting the
original guidelines. This important disruptive characteristic is structured in the relation between sound and image, and
consequently in the interaction with the audience.
Descrição
International Journal on Stereo & Immersive Media
Palavras-chave
AUDIOVISUAL, INSTALAÇÕES ARTÍSTICAS, ART INSTALLATIONS, AUDIOVISUAL, MULTIMÉDIA, MULTIMEDIA