The disruptive relations between sound and image in Poème Électronique

dc.contributor.authorCentola, Nicolau
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2018
dc.descriptionInternational Journal on Stereo & Immersive Media
dc.description.abstractThis academic paper focuses on the installation art Poème Électronique, which involved the collaboration of a painter and architect (Le Corbusier) and a composer (Edgard Varèse) during the 1958 Brussels World Fair. The idea is to analyse the visual and sound dimensions, created from a combined set of rules, but independently developed by each participant. Based on a detailed and well-structured script written by Le Corbusier, Varèse developed a sound work without respecting the original guidelines. This important disruptive characteristic is structured in the relation between sound and image, and consequently in the interaction with the audience.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationCentola , N 2018 , ' The disruptive relations between sound and image in Poème Électronique ' , International Journal on Stereo & Immersive Media .
dc.identifier.issn2184-1241
dc.language.isoeng
dc.publisherEdições Universitárias Lusófonas
dc.relation.ispartofInternational Journal on Stereo & Immersive Media
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectINSTALAÇÕES ARTÍSTICAS
dc.subjectMULTIMÉDIA
dc.subjectART INSTALLATIONS
dc.subjectAUDIOVISUAL
dc.subjectMULTIMEDIA
dc.titleThe disruptive relations between sound and image in Poème Électroniqueen
dc.typearticle

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