The disruptive relations between sound and image in Poème Électronique
dc.contributor.author | Centola, Nicolau | |
dc.contributor.institution | Escola de Comunicação, Arquitetura, Artes e Tecnologias da Informação | |
dc.date.issued | 2018 | |
dc.description | International Journal on Stereo & Immersive Media | |
dc.description.abstract | This academic paper focuses on the installation art Poème Électronique, which involved the collaboration of a painter and architect (Le Corbusier) and a composer (Edgard Varèse) during the 1958 Brussels World Fair. The idea is to analyse the visual and sound dimensions, created from a combined set of rules, but independently developed by each participant. Based on a detailed and well-structured script written by Le Corbusier, Varèse developed a sound work without respecting the original guidelines. This important disruptive characteristic is structured in the relation between sound and image, and consequently in the interaction with the audience. | en |
dc.description.status | Non peer reviewed | |
dc.format | application/pdf | |
dc.identifier.citation | Centola , N 2018 , ' The disruptive relations between sound and image in Poème Électronique ' , International Journal on Stereo & Immersive Media . | |
dc.identifier.issn | 2184-1241 | |
dc.language.iso | eng | |
dc.publisher | Edições Universitárias Lusófonas | |
dc.relation.ispartof | International Journal on Stereo & Immersive Media | |
dc.rights | openAccess | |
dc.subject | AUDIOVISUAL | |
dc.subject | INSTALAÇÕES ARTÍSTICAS | |
dc.subject | MULTIMÉDIA | |
dc.subject | ART INSTALLATIONS | |
dc.subject | AUDIOVISUAL | |
dc.subject | MULTIMEDIA | |
dc.title | The disruptive relations between sound and image in Poème Électronique | en |
dc.type | article |