The disruptive relations between sound and image in Poème Électronique
| dc.contributor.author | Centola, Nicolau | |
| dc.date.accessioned | 2019-01-31T21:45:09Z | |
| dc.date.available | 2019-01-31T21:45:09Z | |
| dc.date.issued | 2018 | |
| dc.description | International Journal on Stereo & Immersive Media | en |
| dc.description.abstract | This academic paper focuses on the installation art Poème Électronique, which involved the collaboration of a painter and architect (Le Corbusier) and a composer (Edgard Varèse) during the 1958 Brussels World Fair. The idea is to analyse the visual and sound dimensions, created from a combined set of rules, but independently developed by each participant. Based on a detailed and well-structured script written by Le Corbusier, Varèse developed a sound work without respecting the original guidelines. This important disruptive characteristic is structured in the relation between sound and image, and consequently in the interaction with the audience. | en |
| dc.format | application/pdf | |
| dc.identifier.issn | 2184-1241 | |
| dc.identifier.uri | http://hdl.handle.net/10437/9366 | |
| dc.language.iso | eng | en |
| dc.publisher | Universidade Lusófona de Humanidades e Tecnologias | pt |
| dc.rights | openAccess | |
| dc.subject | AUDIOVISUAL | pt |
| dc.subject | INSTALAÇÕES ARTÍSTICAS | pt |
| dc.subject | ART INSTALLATIONS | en |
| dc.subject | AUDIOVISUAL | en |
| dc.subject | MULTIMÉDIA | pt |
| dc.subject | MULTIMEDIA | en |
| dc.title | The disruptive relations between sound and image in Poème Électronique | en |
| dc.type | article | pt |