Precarious subjectivities and neoliberal reconstruction of modern family
Miniatura indisponível
Data
2023
Autores
Título da revista
ISSN da revista
Título do Volume
Editora
Lusofona University
Resumo
Parasite (Bong Joonho, 2019) attracted global viewers by addressing the intensifying class stratification and Neo-liberal reconstruction of global economy in the contemporary world. Parasite uniquely features class issues and social criticism instead of depicting typical class struggles between the rich and the poor. Parasite addresses the class structure in transition and highlights the precarious class on the margin. By personalizing class relations into family relations, Parasite features the changing family system along with the breakup of the conventional family. Parasite picks up the very point of this social change and the transformation of family types.
Parasite (Bong Joonho, 2019) attracted global viewers by addressing the intensifying class stratification and Neo-liberal reconstruction of global economy in the contemporary world. Parasite uniquely features class issues and social criticism instead of depicting typical class struggles between the rich and the poor. Parasite addresses the class structure in transition and highlights the precarious class on the margin. By personalizing class relations into family relations, Parasite features the changing family system along with the breakup of the conventional family. Parasite picks up the very point of this social change and the transformation of family types.
Parasite (Bong Joonho, 2019) attracted global viewers by addressing the intensifying class stratification and Neo-liberal reconstruction of global economy in the contemporary world. Parasite uniquely features class issues and social criticism instead of depicting typical class struggles between the rich and the poor. Parasite addresses the class structure in transition and highlights the precarious class on the margin. By personalizing class relations into family relations, Parasite features the changing family system along with the breakup of the conventional family. Parasite picks up the very point of this social change and the transformation of family types.
Descrição
International Journal of Film and Media Arts
Palavras-chave
AUDIOVISUAL, CINEMATOGRAFIA, TRABALHO PRECÁRIO, ECONOMIA FAMILIAR, FAMÍLIA, PSICOLOGIA ANALÍTICA, CINEMA ASIÁTICO, POLÍTICA ECONÓMICA, CINEMATOGRAPHY, PRECARIOUS EMPLOYMENT, FAMILY ECONOMY, FAMILY, ANALYTICAL PSYCHOLOGY, ASIAN CINEMA, ECONOMIC POLICY
Citação
Yoon , S 2023 , ' Precarious subjectivities and neoliberal reconstruction of modern family ' , International Journal of Film and Media Arts . https://doi.org/10.24140/ijfma.v8.n2.01