Precarious subjectivities and neoliberal reconstruction of modern family

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dc.contributor.authorYoon, Sunny
dc.contributor.institutionEscola de Comunicação, Arquitetura, Artes e Tecnologias da Informação
dc.date.issued2023
dc.descriptionInternational Journal of Film and Media Arts
dc.description.abstractParasite (Bong Joonho, 2019) attracted global viewers by addressing the intensifying class stratification and Neo-liberal reconstruction of global economy in the contemporary world. Parasite uniquely features class issues and social criticism instead of depicting typical class struggles between the rich and the poor. Parasite addresses the class structure in transition and highlights the precarious class on the margin. By personalizing class relations into family relations, Parasite features the changing family system along with the breakup of the conventional family. Parasite picks up the very point of this social change and the transformation of family types.pt
dc.description.abstractParasite (Bong Joonho, 2019) attracted global viewers by addressing the intensifying class stratification and Neo-liberal reconstruction of global economy in the contemporary world. Parasite uniquely features class issues and social criticism instead of depicting typical class struggles between the rich and the poor. Parasite addresses the class structure in transition and highlights the precarious class on the margin. By personalizing class relations into family relations, Parasite features the changing family system along with the breakup of the conventional family. Parasite picks up the very point of this social change and the transformation of family types.en
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationYoon , S 2023 , ' Precarious subjectivities and neoliberal reconstruction of modern family ' , International Journal of Film and Media Arts . https://doi.org/10.24140/ijfma.v8.n2.01
dc.identifier.doihttps://doi.org/10.24140/ijfma.v8.n2.01
dc.identifier.issn2183-9271
dc.identifier.urlhttps://www.scopus.com/record/display.uri?eid=2-s2.0-85176257703&origin=inward
dc.language.isoeng
dc.publisherLusofona University
dc.relation.ispartofInternational Journal of Film and Media Arts
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectCINEMATOGRAFIA
dc.subjectTRABALHO PRECÁRIO
dc.subjectECONOMIA FAMILIAR
dc.subjectFAMÍLIA
dc.subjectPSICOLOGIA ANALÍTICA
dc.subjectCINEMA ASIÁTICO
dc.subjectPOLÍTICA ECONÓMICA
dc.subjectCINEMATOGRAPHY
dc.subjectPRECARIOUS EMPLOYMENT
dc.subjectFAMILY ECONOMY
dc.subjectFAMILY
dc.subjectANALYTICAL PSYCHOLOGY
dc.subjectASIAN CINEMA
dc.subjectECONOMIC POLICY
dc.titlePrecarious subjectivities and neoliberal reconstruction of modern familyen
dc.typearticle

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International Journal of Film and Media Arts, Vol. 8, Nº. 2 (2023)