Virtual ou não: eis a questão! – conceitos fundamentais para a (des) construção de um museu dito “virtual”
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2017
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Edições Universitárias Lusófonas
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Este estudo aborda algumas das ideias desenvolvidas na dissertação de Mestrado intituladaMuseu do Alto
Sertão da Bahia: diálogos entre museu de território e culturas digitais na qual defende-se que a museologia
comporta uma abordagem multidisciplinar sobre a memória e o patrimônio. Sendo assim, o museu, que é
também e principalmente o objeto de estudo da Museologia, por tudo o que é, deve atentar no discurso
crescente e sem precedente das culturas digitais. Neste cenário, a internet, modo de comunicação profícuo
e abundante, tem remodelado as bases estruturais da cultura dita digital expressa em uma grande rede de
conexões em "nós" que se interligam no que pode ser chamado de ciberespaço. Em razão de
transformações sociais e tecnológicas, propõe-se o diálogo entre as novas Tecnologias e Informação e
Comunicação (TICs) e os museus, destacando as semelhanças e intercessões que possam contribuir ou
refletir positivamente para possíveis mudanças na sociedade. Sabe-se que o senso comum limita ou associa
falsa e equivocadamente o modo de fazer virtual, a algo eminentemente vinculado à internet ou à falta de
materialidade. Entretanto, o termo "virtual" como "potência" quase nada tem a ver com o viés de que trata
o senso comum.
This study addresses some of the ideas developed in the Master's dissertation entitled "Museum of the High Sertão of Bahia: dialogues between museum of territory and digital cultures" in which it is argued that Museology entails a multidisciplinary approach on memory and heritage. Therefore, the museum, which is also and especially the object of study of Museology, for all that it is, must attend to the growing discourse of digital cultures. In this scenario, the Internet, a fruitful mode of communication, has reshaped the structural bases of the so-called digital culture expressed in a large network of connections in "nodes" that intertwine in what can be called cyberspace. And due to social and technological changes, it is proposed the dialogue between new ICTs and museums, highlighting the similarities and intercessions that may contribute or reflect positively to possible changes in society. It is known that common sense that limits or falsely and mistakenly associates the virtual way of doing something eminently linked to the Internet or lack of materiality. However, the term "virtual" as "power" has almost nothing to do with the common sense.
This study addresses some of the ideas developed in the Master's dissertation entitled "Museum of the High Sertão of Bahia: dialogues between museum of territory and digital cultures" in which it is argued that Museology entails a multidisciplinary approach on memory and heritage. Therefore, the museum, which is also and especially the object of study of Museology, for all that it is, must attend to the growing discourse of digital cultures. In this scenario, the Internet, a fruitful mode of communication, has reshaped the structural bases of the so-called digital culture expressed in a large network of connections in "nodes" that intertwine in what can be called cyberspace. And due to social and technological changes, it is proposed the dialogue between new ICTs and museums, highlighting the similarities and intercessions that may contribute or reflect positively to possible changes in society. It is known that common sense that limits or falsely and mistakenly associates the virtual way of doing something eminently linked to the Internet or lack of materiality. However, the term "virtual" as "power" has almost nothing to do with the common sense.
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Cadernos de Sociomuseologia
Palavras-chave
MUSEOLOGIA, MUSEOLOGY, CULTURA DIGITAL, DIGITAL CULTURE, INOVAÇÃO TECNOLÓGICA, TECHNOLOGICAL INNOVATION, MUSEUS VIRTUAIS, VIRTUAL MUSEUMS