A presença africana e afro-brasileira nos museus de Santa Catarina
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2018
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Nessa tese, buscamos investigar e discutir a forma como africanos e afro-brasileiros estão
representados nas instituições museológicas do Estado de Santa Catarina, sul do Brasil. Mas,
acima de tudo, compreender como essas instituições têm atuado como ferramentas de
construção/anulação de identidades a partir de representações, presenças e ausências, no caso
específico das populações de origem africana. Buscamos identificar e apresentar propostas que
possam contribuir para uma política pública para o setor. Desta forma, em um primeiro
momento, procuramos compreender as políticas públicas voltadas para os museus e suas
interfaces com as políticas de promoção de igualdade racial, voltadas para populações afrobrasileiras
e suas articulações em nível federal. Em um segundo passo, focamos em Santa
Catarina, procurando compreender as relações entre essas políticas, a preservação de
patrimônios e realizar um estudo acerca dos museus do estado e as políticas em que estão
inseridos, em nível estadual e nacional. Também, a partir da aplicação de um instrumento de
pesquisa, procuramos mapear os museus em Santa Catarina que têm em seu acervo coleções e
objetos relativos às populações de origem africana, bem como os representam nas exposições e
outras atividades, e também como percebem a temática em suas instituições. E a partir do
diagnóstico e tabulação dos dados, partimos de uma abordagem histórica desse processo,
delineando as mentalidades que marcaram a construção das identidades no estado. E, por fim,
buscamos atuar no campo a partir das premissas da museologia social, com a proposição de
ações, que chamamos de ação afirmativa de caráter museológico, iniciativas de formação e
capacitação sobre museu, memória e cultura afro-brasileira, visando contribuir para a
construção de políticas públicas que articulem museu e promoção de igualdade racial, que
contribuam para a valorização da diversidade e no fortalecimento da luta antirracista no Estado
de Santa Catarina.
In this thesis, we seek to investigate and discuss how Africans and Afro-Brazilians are represented in the museological institutions of the state of Santa Catarina, southern Brazil. But above all, to understand how these institutions have acted as tools of construction/annulment of identities from representations, presences and absences, in the specific case of populations of African origin, seeking to identify and present proposals that may contribute to a public policy for the sector. Thus, initially, we seek to understand the public policies focused on museums and their interfaces with the policies of racial equality promotion, aimed at Afro-Brazilian populations and their articulations at the federal level. In the second step, we focus on Santa Catarina, trying to understand the relations between these policies, the preservation of heritage and to carry out a study about the museums of the state and the policies that are inserted at the state and national levels. Also, from the application of research instruments, we tried to map the museums in Santa Catarina that have collection related to populations of African origin, as well as represent them in exhibitions and other activities, and how they perceive the theme in their institutions. And from the diagnosis and tabulation of the data, we start from a historical approach of this process, outlining the mentalities that marked the construction of the identities the state. Finally, we seek to work in the field from the premises of social museology, with the proposition of actions, which we call affirmative action of museological character, initiatives of formation and training on museum and Afro-Brazilian memory and culture, aiming to contribute to the construction of public policies that articulate museums and the promotion of racial equality, which contribute to the valorization of diversity and the strengthening of the antiracist struggle in the state of Santa Catarina.
In this thesis, we seek to investigate and discuss how Africans and Afro-Brazilians are represented in the museological institutions of the state of Santa Catarina, southern Brazil. But above all, to understand how these institutions have acted as tools of construction/annulment of identities from representations, presences and absences, in the specific case of populations of African origin, seeking to identify and present proposals that may contribute to a public policy for the sector. Thus, initially, we seek to understand the public policies focused on museums and their interfaces with the policies of racial equality promotion, aimed at Afro-Brazilian populations and their articulations at the federal level. In the second step, we focus on Santa Catarina, trying to understand the relations between these policies, the preservation of heritage and to carry out a study about the museums of the state and the policies that are inserted at the state and national levels. Also, from the application of research instruments, we tried to map the museums in Santa Catarina that have collection related to populations of African origin, as well as represent them in exhibitions and other activities, and how they perceive the theme in their institutions. And from the diagnosis and tabulation of the data, we start from a historical approach of this process, outlining the mentalities that marked the construction of the identities the state. Finally, we seek to work in the field from the premises of social museology, with the proposition of actions, which we call affirmative action of museological character, initiatives of formation and training on museum and Afro-Brazilian memory and culture, aiming to contribute to the construction of public policies that articulate museums and the promotion of racial equality, which contribute to the valorization of diversity and the strengthening of the antiracist struggle in the state of Santa Catarina.
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Orientação: Marcelo Nascimento Bernardo da Cunha
Palavras-chave
DOUTORAMENTO EM MUSEOLOGIA, MUSEUS, MUSEUS BRASILEIROS, CULTURA AFRICANA, CULTURA BRASILEIRA, PATRIMÓNIO, MEMÓRIA, BRASIL, SANTA CATARINA, MUSEOLOGY, MUSEUMS, BRAZILIAN MUSEUMS, AFRICAN CULTURE, BRAZILIAN CULTURE, HERITAGE, MEMORY, BRAZIL, SANTA CATARINA, MUSEOLOGIA