Exploring disparities between acoustic and digital sound
Miniatura indisponível
Data
2015
Autores
Sá, Adriana
Título da revista
ISSN da revista
Título do Volume
Editora
MIT Press
Resumo
Mapping digital sound to an acoustic input enables the performer and the software to ‘talk’ simultaneously. Whilst the performer has direct control over the acoustic outcome, the digital can become a means of destabilization - as it is mediated through code. Musical expression substantiates as the performer addresses the unexpected resourcefully. This text describes the performative dynamics in terms of perceptual mechanics. Keywords: acoustic instruments, digital instruments, perception, conscious awareness, chance
Descrição
Leonardo Transactions: Live Interfaces
Palavras-chave
AUDIOVISUAL, AUDIOVISUAL, SOM, SOUND, SOM DIGITAL, DIGITAL SOUND, PERCEÇÃO MUSICAL, MUSIC PERCEPTION
Citação
Sá, Adriana. Exploring Disparities Between Acoustic and Digital Sound. Leonardo Transactions, vol. 48 No. 3 , MIT Press (2015): 280-281.